 {"id":16264,"date":"2026-07-10T18:35:32","date_gmt":"2026-07-10T09:35:32","guid":{"rendered":"https:\/\/toyooka-theaterfestival.jp\/en\/?post_type=program&#038;p=16264"},"modified":"2026-07-24T09:16:08","modified_gmt":"2026-07-24T00:16:08","slug":"the-last-gig-of-a-japanese-translator-who-feels-at-home-in-english","status":"publish","type":"program","link":"https:\/\/toyooka-theaterfestival.jp\/en\/program\/16264\/","title":{"rendered":"&#8220;The Last Gig\u2014of a Japanese Translator Who Feels at Home in English&#8221;"},"content":{"rendered":"\n<h2 class=\"has-text-align-center\">Taking a stab at linguistic imperialism: A bilingual self<br>-translating one-person show in Japanese and English<\/h2>\n\n\n\n<p>Interpreter, playwright, and actor Haruka Ueda self-interprets between Japanese and English for this bilingual one-person show. In a near future where the rise of AI has eliminated arts-specialized interpretation work, an interpreter finds herself at the afterparty following her final gig, where she is assailed by memories of the past and anxieties from the future.&nbsp;<\/p>\n\n\n\n<p>A cluster of themes emerges: her gratitude for a space that allowed her to exist in both Japanese and English; the social climate of people rejecting what they do not understand; the violent linguistic imperialism of English, a language she calls home. Turning the emotions and pain felt in her work as an interpreter into laughter, Ueda shares a record of a corporeal ritual\u2014the vocation of interpretation that will soon disappear. If you have ever been at the whim of an inflated ego, or caught trapped in the world of meaning, this might hit closer to home than you think.&nbsp;<\/p>\n\n\n\n<p>An extreme explosive shower of language &lt;3&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>Don\u2019t miss this intense performance that bares it all \ud83d\ude09<\/p>\n\n\n\n<h2>&nbsp;&nbsp;<\/h2>\n","protected":false},"excerpt":{"rendered":"<p>Taking a stab at linguistic imperialism: A bilingual self-translating one-person show in Japanese and English Interpreter, playwright, and actor Haruka Ueda self-interprets between Japanese and English for this bilingual one-person show. In a near future where the rise of AI has eliminated arts-specialized interpretation work, an interpreter finds herself at the afterparty following her final [&hellip;]<\/p>\n","protected":false},"featured_media":16265,"template":"","meta":{"_links_to":"","_links_to_target":""},"program_type":[179],"program_area":[11],"program_dates":[26,15,16,17],"program_tags":[307],"program_venue_type":[108],"program_genre":[308,189],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>&quot;The Last Gig\u2014of a Japanese Translator Who Feels at Home in English&quot; | Toyooka Theater Festival 2026<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/toyooka-theaterfestival.jp\/en\/program\/16264\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&quot;The Last Gig\u2014of a Japanese Translator Who Feels at Home in English&quot; | Toyooka Theater Festival 2026\" \/>\n<meta property=\"og:description\" content=\"Taking a stab at linguistic imperialism: A bilingual self-translating one-person show in Japanese and English Interpreter, playwright, and actor Haruka Ueda self-interprets between Japanese and English for this bilingual one-person show. 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