- Hogara Kawai
Born in Osaka in 1993, he is a director and the founder of Rusanchika. His work includes PIPE DREAM and GOOD WAR, which draw on random interviews conducted through dating apps, as well as productions of Juro Miyoshi’s Intent to Kill (Strip Show), Shogo Ota’s The Vacant Lot, and Samuel Beckett’s Endgame. He approaches the words of others and existing plays as “records,” using them as material for theatrical productions and directing.
In 2024, he directed TATTOOER, presented by Umeda Arts Theater, in both Tokyo and London.
He is a participant in the Munrin-kan International program.
Official Program
RESSENCHKA “Intent to Kill (Strip Show)”
MURINKAN International EBARA Short Play Selection
Area
Venue
Date and Time
Sep. 19 (Sat) 20:00
Sep. 20 (Sun)15:00◎
Sep. 21 (Mon)15:00◎
◎Childcare services (reservation required)
Performance Duration
Notes
*Not open to preschool children
Performance Language
Subtitles: English
Admission Fee
【All seats unreserved (with reference number)】
Advance Tickets: ¥3,500
Same-day Tickets: ¥4,000
Advance Tickets U25/Student/Disabled Discount: ¥2,500*
Same-day Tickets Disabled Discount: ¥3,000*
U18 for advance and same-day: Free* (Reservation required)
Uzumaku Pass: ¥1,000
*Please show proof on the day of the event
Others: Free admission for accompanying caregivers, Clap Mates
What is “”Clap Mates””?
“Intent to Kill (Strip Show)”, written by Juro Miyoshi, was first published in 1950.
The setting is a nightclub stage. The sole character is Misa Midorikawa, a striptease dancer.
She tells the story of her life: born in a small castle town in the south, she experiences the patriotic movement, war, and Japan’s defeat before eventually becoming a dancer in Tokyo.
In powerful language, Juro Miyoshi depicts Japan’s rapid descent into war. The story moves forward with relentless momentum, leaving little room to stop and ask, “How could this have happened?”
Yet this play is not a story about “war.” It is a story about “anger.” Embedded within it are the contradictions, suffering, and sense of powerlessness that each person carries as they struggle to face the realities of everyday life. These are feelings that resonate deeply with those of us living in the present.
Rather than simply recreating the world of the play onstage, Rusanchika revisits this story of the past from its own perspective. By bringing this play, written in 1950, to life through the bodies and voices of performers living today, Rusanchika creates a space in which its words can be shared with audiences in the present.
Following its premiere in 2023 and subsequent performances in Tokyo and Kyoto, this signature work from RESSENCHKA will be performed in Toyooka for the first time.
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Performers
- Ayako Watanabe
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Staff
- Lighting Designer: Toshiki Ogata
Subtitles Operator: Manami Tanaka
Technical Director:Hiroshi Isaka
Subtitles: Aya Nishimoto
Stage Manager:Shino Nishida
English Translation: Brendan Craine
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Accessibility
・Wheelchairs accommodated
・Free entrance for aide
・Free Childcare Service
Available: Sep. 20 (Sun)15:00, Sep. 21 (Mon)15:00
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Credits
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English Subtitles Produced by Ebara Riverside Theatre (Supported by Japan Creator Support Fund)
Presented by Ebara Riverside Theatre
Supported by Japan Creator Support Fund -

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